Works
Untitled, Oil on Panel, 9” x 12”, 2023
Untitled, wood, cement, lime plaster, sand, pigment, 10” x 8.5” x 10”, 2023
Untitled, wood, cement, lime plaster, sand, pigment, 28.5” x 28.5” x 4”, 2023
Untitled, Styrofoam, 31” x 17.5” x 22.5”, 2022
Untitled (Double Parallax, Rhombus #2), wood, 24” x 27.25” x 6", 2022
Untitled (The Met, 20220130), 2022, wood, cement, lime plaster, sand, pigment, 10” x 10” x 6” (25.4 x 25.4 x 15.2 cm)
Untitled (Sky), wood, cement, lime plaster, sand, pigment, 48” x 2.8” x 1”, 2023
Untitled 0217, 2021, Gouache on paper, 11 x 15 inches (28 x 38 cm)
Untitled, wood, cement, lime plaster, sand, pigment, 10” x 9.5” x 12”, 2022
Untitled (Disjuncture), Styrofoam, 31” x 17.5” x 22.5”, 2022
Untitled, 2022, Oil on Canvas, 14” x 18” (35 x 45 cm)
Untitled, 2022, Wood, cement, lime plaster, sand, pigment, 14” x 18” (35 x 45 cm)
Untitled, 2022, Wood, cement, lime plaster, sand, pigment, 14 x 18 inches (35 x 45 cm)
Untitled, 2022, Wood, cement, lime plaster, sand, pigment, 14 x 18 inches (35 x 45 cm)
Untitled, frescoes (lime plaster, cement, pigment, marble dust), 48 x 60 inches (121 x 152 cm), New England Triennial 2022, The Fruitlands Museum
On the Future Ruin, 2022, Still from 3D-rendered video, 6’36”
On the Future Ruin, 2022, Still from 3D-rendered video, 6’36”
Untitled, frescoes (lime plaster, cement, pigment, marble dust), 48 x 60 inches (121 x 152 cm), New England Triennial 2022, The Fruitlands Museum
Untitled, frescoes (lime plaster, cement, pigment, marble dust), 48 x 60 inches (121 x 152 cm), New England Triennial 2022, The Fruitlands Museum
On the Future Ruin, 2022, Still from 3D-rendered video, 6’36”
Untitled 0104, 2021, Gouache on paper, 11 x 15 inches (28 x 38 cm)
Untitled, Oil on Canvas, 14 x 18 inches (35 x 45 cm)
Untitled 0112, 2021, Gouache on paper, 11 x 15 inches (28 x 38 cm)
Untitled 0321, 2022, frescoes (lime plaster, cement, pigment, marble dust), 20 x 30 inches (50 x 76 cm)
Untitled Series, 2022, Oil on canvas, installation view, MacDowell, NH
How to Make it in the Art World, 2021. inflatable sculpture, 70 x 35 x 8 inches (177 x 88 x 20 cm)
How to Make it in the Art World, 2021. inflatable sculpture, 70 x 35 x 8 inches (177 x 88 x 20 cm)
Untitled Series, 2022, Oil on canvas, installation view, MacDowell, NH
Untitled Series, 2022, Oil on canvas, installation view, MacDowell, NH
How to Make it in the Art World, 2021. inflatable sculpture, 70 x 35 x 8 inches (177 x 88 x 20 cm)
How to Make it in the Art World, 2021. inflatable sculpture, 70 x 35 x 8 inches (177 x 88 x 20 cm)
Federal Census (Nativity and Mother Tongue; Health), 2019, 16 Gauge vinyl, fluorescent orange vinyl coated mesh, 82 x 53 inches (208 x 134 cm), 64 x 48 inches (162 x 121 cm)
Who Defines Race? 2019, vinyl, 72 x 50 inches (182 x 127 cm)
The Shade of Yellow, 2021, 16mm film, 8’47”
A Mouse with Ears and Tail, 2020, Neon Light Sculpture, 72 x 72 x 10 inches (182 x 182 x 25 cm)
A Mouse with Ears and Tail, 2020, Neon Light Sculpture, Rose Kennedy Greenway, Boston
The Shade of Yellow, 2021, light box, film, 30 x 40 x 5 inches (76 x 101 x 12 cm)
The Shade of Yellow, 2021, installation view, Boston Cyberarts, Boston
Still image from How to Handle A Precious Man, 2019, video performance, 08’48”
Still image from How to Handle A Precious Man, 2019, video performance, 08’48”
Still image from How to Handle A Precious Man, 2019, video performance, 08’48”
Still image from How to Handle A Precious Man, 2019, video performance, 08’48”
Still from Chautauqua, 2021, 16mm film, 7’02”
Still from Chautauqua, 2021, 16mm film, 7’02”
Still from Chautauqua, 2021, 16mm film, 7’02”
Language Producing Factory, 2018, installation shot, The National Art Center, Tokyo, Japan
Still from Language Product, 2017, Video performance, 9’12”
Still from Language Product, 2017, Video performance, 9’12”
108 Ways of Waiting for Love, 2018, Oil on canvas, 84 x 60 inches ( 213 x 152 cm)
Love for Sale, 2020, installation view, The 8th Floor, The Shelley & Donald Rubin Foundation
Still from Love for Sale, 2020, text-based video, 7’02”
Still from Love for Sale, 2020, text-based video, 7’02”
Truth of Consequences, 2018, inkjet print on paper
Truth of Consequences, 2018, inkjet print on paper
How to Handle A Precious Man, Silkscreen, pencil and gouache BFK Rives paper, 2017, 42 x 32 inches ( 106 x 81 cm)
How to Handle A Precious Man, Inkjet print on Epson Paper, 2019, 60 x 40 inches (152 x 101 cm)
Commandments for Women, 2018, installation view, The Assembly Room, New York
Future Format See Through Each Moving Window, Yuan Art Museum, Beijing, 2021
Future Format See Through Each Moving Window, Yuan Art Museum, Beijing, 2021
Future Format See Through Each Moving Window, Yuan Art Museum, Beijing, 2021
Future Format See Through Each Moving Window, Yuan Art Museum, Beijing, 2021
Still image from Message Through Generations, video performance, 2015, 04’