Works

Untitled, Oil on Panel, 9” x 12”, 2023

Untitled, Styrofoam, 31” x 17.5” x 22.5”, 2022

Untitled, wood, cement, lime plaster, sand, pigment, 10” x 8.5” x 10”, 2023

Untitled (Double Parallax, Rhombus #2), wood, 24” x 27.25” x 6", 2022

Untitled (The Met, 20220130), wood, cement, lime plaster, sand, pigment, 10” x 10” x 6”, 2022

Untitled, wood, cement, lime plaster, sand, pigment, 28.5” x 28.5” x 4”, 2023

Untitled (Disjuncture), Styrofoam, 31” x 17.5” x 22.5”, 2022

Untitled 0217, 2021, Gouache on paper, 11 x 15 inches (28 x 38 cm)

Untitled, wood, cement, lime plaster, sand, pigment, 10” x 9.5” x 12”, 2022

Untitled, wood, cement, lime plaster, sand, pigment, 11”x 8” x3”, 2022

Untitled (Sky), wood, cement, lime plaster, sand, pigment, 48” x 2.8” x 1”, 2023

Untitled, 2022, Oil on Canvas, 14” x 18” (35 x 45 cm)

Untitled, 2022, Wood, cement, lime plaster, sand, pigment, 14 x 18 inches (35 x 45 cm)

Untitled, 2022, Wood, cement, lime plaster, sand, pigment, 14 x 18 inches (35 x 45 cm)

Untitled, frescoes (lime plaster, cement, pigment, marble dust), 48 x 60 inches (121 x 152 cm), New England Triennial 2022, The Fruitlands Museum

On the Future Ruin, 2022, Still from 3D-rendered video, 6’36”

On the Future Ruin, 2022, Still from 3D-rendered video, 6’36”

On the Future Ruin, 2022, Still from 3D-rendered video, 6’36”

Untitled 0104, 2021, Gouache on paper, 11 x 15 inches (28 x 38 cm)

Untitled, Oil on Canvas, 14 x 18 inches (35 x 45 cm)

Untitled 0321, 2022, frescoes (lime plaster, cement, pigment, marble dust), 20 x 30 inches (50 x 76 cm)

Untitled 0112, 2021, Gouache on paper, 11 x 15 inches (28 x 38 cm)

Untitled Series, 2022, Oil on canvas, installation view, MacDowell, NH

How to Make it in the Art World, 2021. inflatable sculpture, 70 x 35 x 8 inches (177 x 88 x 20 cm)

Untitled Series, 2022, Oil on canvas, installation view, MacDowell, NH

How to Make it in the Art World, 2021. inflatable sculpture, 70 x 35 x 8 inches (177 x 88 x 20 cm)

Federal Census (Nativity and Mother Tongue; Health), 2019, 16 Gauge vinyl, fluorescent orange vinyl coated mesh, 82 x 53 inches (208 x 134 cm), 64 x 48 inches (162 x 121 cm)

Who Defines Race? 2019, vinyl, 72 x 50 inches (182 x 127 cm)

The Shade of Yellow, 2021, 16mm film, 8’47”

A Mouse with Ears and Tail, 2020, Neon Light Sculpture, 72 x 72 x 10 inches (182 x 182 x 25 cm)

A Mouse with Ears and Tail, 2020, Neon Light Sculpture, Rose Kennedy Greenway, Boston

Still image from How to Handle A Precious Man, 2019, video performance, 08’48”

Still image from How to Handle A Precious Man, 2019, video performance, 08’48”

Still image from How to Handle A Precious Man, 2019, video performance, 08’48”

Still image from How to Handle A Precious Man, 2019, video performance, 08’48”

Still from Chautauqua, 2021, 16mm film, 7’02”

Still from Chautauqua, 2021, 16mm film, 7’02”

Still from Chautauqua, 2021, 16mm film, 7’02”

Language Producing Factory, 2018, installation shot, The National Art Center, Tokyo, Japan

Still from Language Product, 2017, Video performance, 9’12”

Still from Language Product, 2017, Video performance, 9’12”

108 Ways of Waiting for Love, 2018, Oil on canvas, 84 x 60 inches ( 213 x 152 cm)

Love for Sale, 2020, installation view, The 8th Floor, The Shelley & Donald Rubin Foundation

Still from Love for Sale, 2020, text-based video, 7’02”

Still from Love for Sale, 2020, text-based video, 7’02”

Truth of Consequences, 2018, inkjet print on paper

Truth of Consequences, 2018, inkjet print on paper

How to Handle A Precious Man, Silkscreen, pencil and gouache BFK Rives paper, 2017, 42 x 32 inches ( 106 x 81 cm)

How to Handle A Precious Man, Inkjet print on Epson Paper, 2019, 60 x 40 inches (152 x 101 cm)

Commandments for Women, 2018, installation view, The Assembly Room, New York

Future Format See Through Each Moving Window, Yuan Art Museum, Beijing, 2021

Future Format See Through Each Moving Window, Yuan Art Museum, Beijing, 2021

Future Format See Through Each Moving Window, Yuan Art Museum, Beijing, 2021

Future Format See Through Each Moving Window, Yuan Art Museum, Beijing, 2021

Still image from Message Through Generations, video performance, 2015, 04’